- Artist: Usher
- Label: LaFace Records, JLG
- Director: Anthony Mandler
- Album: Raymond V. Raymond
Source: http://www.mtv.com/overdrive/?artist=1270&vid=497563
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Source: http://www.mtv.com/overdrive/?artist=1270&vid=497563
Rebecca Romijn Reese Witherspoon Rhona Mitra Rihanna Robin Tunney Rosario Dawson
'We were shocked to see this,' read the Jacksons' message; Durbin tweeted an apology on Thursday.
By Gil Kaufman
James Durbin performs on "American Idol" on Wednesday
Photo: Michael Becker/ Fox
Some people might argue that it's patently unfair to take rank amateurs, put them on the biggest show on TV and then expose them to potential worldwide ridicule every week. Because it's one thing to tune in to "American Idol" from your living room or play shows at the local wings joint, it's another thing entirely when you get up on that stage and open your mouth with tens of millions watching and listening.
James Durbin learned this lesson the hard way this week when he made what he thought was an innocent crack about not setting himself on fire during his pyro-tastic cover of Elton John's "Saturday Night's Alright (For Fighting)" on Wednesday night.
Asked by host Ryan Seacrest if he was worried about dancing around among the flames shooting up from the piano onstage, Durbin joked, "I have a lot of hairspray in my hair to keep it from jumping around — so much so, the one thing I was worried about was having a 'Pepsi moment.' "
The seemingly innocent crack was a reference to the 1984 on-set accident in which late pop icon Michael Jackson was badly burned during the shooting of a Pepsi commercial by some wayward pyro effects. The serious burns he suffered in the incident allegedly led to his longtime addiction to pain medication and prescription drugs.
The Jackson family was not amused by the quip and sent a statement to TMZ on Thursday.
"We were shocked to see this. It's nothing to make light of and everybody should be focusing on who was responsible for Michael's death," read the statement. Family patriarch Joseph Jackson also was reportedly miffed that "Idol" producers did not cut the comment from the West Coast feed of the show.
Durbin defended his slip-up in a tweet, which has since been scrubbed from the singer's official "Idol" Twitter feed, that explained, "For anyone talkin ... I said pepsi NOT MJ! I have no disrespect for Michael. I grew up singing his art. I guess youll take it how you want it." He later added, "Talkin about MJs passing is too soon. Making a reference to an incident 25 years ago..not too soon. The stab was at pepsi people."
It's worth noting that Pepsi's bitter rival, Coca-Cola, is the main "Idol" sponsor, a fact that Seacrest reminded Durbin of in an awkward moment after the comment on the show.
What did you think of James Durbin's "Pepsi" quip? Tell us in the comments.
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Source: http://www.mtv.com/overdrive/?artist=1270&vid=544989
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Source: http://www.mtv.com/overdrive/?artist=1102&vid=605180
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Overzealous NYC admirer jumped a barricade and knocked down the Biebs, but teen sensation recovered and got right back to fans.
By Jocelyn Vena
NEW YORK — Justin Bieber took over Herald Square in Manhattan on Thursday (June 23) as he greeted fans at a Macy's event for his women's fragrance, Someday. A legion of dedicated Beliebers lined up outside and gathered at the famed department store hoping to catch even a glimpse of the star.
When MTV News caught up with the Biebs, he told us how much he appreciated his fans' overwhelming enthusiasm.
"My fans are crazy. They wait out in the rain and anything, so they're crazy, they're awesome!" he said. "I just think that what we decided to do — making the fragrance for females, not getting a cologne for males — I said it before and I'll say it again, I'm more concerned about how girls smell 'cause I'm a guy and I know what smells good and I know what I like so girls should know, if [I like] it, then other guys are going to like it."
But some fans may have been too enthusiastic. While some fans (and press) were allowed to wait inside Macy's, many were still standing outside, and according to reports, Bieber was knocked down by a man who jumped the barrier. [Editor's note: ABC News has since reported that the man was not a fan but a plainclothes police officer who the NYPD say was trying to help the singer.] Bieber wasn't hurt, though ABC said that he seemed "shaken" before he went right back to work and greeted more fans inside.
Once inside the store, Bieber seemed relaxed, sharing with us the nuances of designing a perfume for his fans. "I think cologne and perfume are different. Cologne is more kind of a body-wash-type smell and [perfume] is kind of flowery, fruity," he said, adding that mentor Usher, who has his own cologne brand, "didn't really give me any advice.
"There was a long process 'cause they brought it out on the road and stuff," he added of the fragrance, whose proceeds will go to charity. "I picked out the bottle and designed everything."
So what kind of cologne does Bieber use? "A bunch of different stuff; I switch it up all the time," he said.
Will you bag a bottle of Someday? Tell us in the comments!
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But is it here to stay? Our music-industry experts weigh in.
By Akshay Bhansali
Ke$ha
Photo: Andreas Rentz/ Getty Images
In 2010, pop princesses, R&B icons and chart-dominating newcomers all danced to the same beat. Not only did dance music go pop, but pop music caught the club-music bug.
Between Katy Perry's "Firework," Ke$ha's "We R Who We R," Rihanna's "Only Girl (In the World)," Enrique Iglesias' "I Like It," Usher's "DJ Got Us Fallin' in Love" and "OMG" and countless other singles, established artists definitely looked to dance beats for surefire hits. And two of this year's biggest success stories in music were Jason Derülo and Taio Cruz; could there be a soul left in this country who hasn't heard "Dynamite" or "In My Head"?
The love went both ways, with dance music's biggest stars finding mainstream success this year. Dance-music maestro deadmau5 took up house-artist duties at this year's VMAs, and Swedish House Mafia and Usher teamed up for a medley of their gems at the American Music Awards.
So how did this happen? We caught up with some music-industry experts to get their takes.
"You definitely saw tempos go up this year," Jon Caramanica of The New York Times told MTV News. "And I think what you had are a lot of producers who are really familiar with nightclub stuff. They are familiar with Europe. Things are happening on a more global scale now."
"I think everything from Europe, and sometimes even Asia, it comes to America, and we just adopt things a little bit slower," said Jared Eng of JustJared.com. "I think it was just a change. People like different types of music at different times. And dance was of this moment."
Noah Callahan of Complex magazine added: "I think 2010 saw the merging of the pop and dance genres. Pop artists realized that there were best practices that could be borrowed from dance music. And, ultimately, [all] pop music that has been made in the past 20 years had ended up being remixed for the club by dance artists. I think they basically just cut out the middleman and went straight there."
Dance music being introduced into the hip-hop and R&B realms was particularly notable this year.
"I think David Guetta kind of at the end of last year and the beginning of this year spearheaded it," said freelance writer Julianne Escobedo Shepherd. "He produced a lot of tracks. I think as trends go, people revile 'unst-unst.' But it's just coming back around. Big-room techno was a way for people to get decadent in a year that no one could get decadent."
"You have someone like will.i.am, who's like, 'Well, I spent all this time in Ibiza, and this is what they are doing,' and he wants to find a way to bring that into his music," Caramanica said of the Black Eyed Peas mastermind. "R&B especially became dance music. And especially with your Jason Derülos, Taio Cruzes. Guys like that would have literally been blocked at the border two years ago. That would not have made it through customs. And now all of a sudden they have #1 songs. I think will.i.am had a lot to do with that last year."
Elliott Wilson of RapRadar.com added: "It's actually even affected hip-hop. I was talking to Q-Tip, and his next record, I feel like that's gonna kind of go in that vein. I know that was also Jay-Z's thought process with Blueprint 3 at first, that he wanted to make a little bit more of a world music [vibe], a little more dancey. I think the kids today want to go to the clubs. They wanna have a good time. They wanna dance. So I think the artists of today are trying to kind of feed that audience."
"I think it's caught on this year because the people who've done it have been successful," offered Clover Hope of Vibe magazine. "Like 'OMG,' with usher, he didn't have success until he made a dance record. He had 'There Goes My Baby' and these really, like, adult-contemporary records that didn't really catch on. And then once you see that everybody is doing it and that people are liking it, they are like, 'OK, let me just try this out.' It's like Auto-Tune. Like, 'Let me see what I sound like on a record by David Guetta.' They end up liking it and doing more of it."
So does the club-music trend have staying power. According to our tastemakers, not so much.
"I do think it's a blip," Caramanica said. "I don't think that's gonna be something that lasts in America. I think this is gonna be a moment we'll all look back on and go, 'Wasn't that weird when Jason Derülo and Taio Cruz had #1 records?"
"At some point, these R&B artists will get kind of sick of it and be like, 'Let me go back to my soul background,' " Hope said. "When you actually have to say something, dance doesn't really lend itself to substance. And I think that R&B artists, they really want to talk about love and in a deep way, and to do that, you need to do, like, a soul or a traditional R&B record. I want to say that it's kind of a fad."
"I think music is very cyclical," Eng offered. "So I think dance music might be here for a little bit, but I'm sure it will phase out at some point."
Wilson called dance music "the sound of today. I think that people want more aggressive, faster beats, and I think that that probably has legs until at least next summer."
What do you think? Is dance music here to stay? Let us know in the comments!
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